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    National Tsing Hua University Institutional Repository > 清華出版品 > 01 清華學報 > 新29卷第3期 >  單句律化: 永明聲律運動, 走向律化的關鍵過程

    Please use this identifier to cite or link to this item: http://nthur.lib.nthu.edu.tw/dspace/handle/987654321/75560

    Title: 單句律化: 永明聲律運動, 走向律化的關鍵過程
    Other Titles: Why the Yong-ming Movement of Tonal Euphony Developed toward Regulatedness within a Poetical Line?
    Authors: 施逢雨;Feng-yu Shih
    Date: 1999/09
    Publisher: 國立清華大學出版社
    Relation: 清華學報,國立清華大學,1999,new,29,n.3,p301.
    Keywords: 永明聲律運動
    Abstract: Based upon a thorough, quantitative investigation into the five-character poetry of the Liang *U, Chen K, and Sui Iff dynasties, this study first comes to the conclusion that, in the period in question, the tendency of "regulatedness" (lu haa HHti) basically rose day by day. With the establishment of this conclusion, two complicated problems stand out to be solved. The first is how the stress on the arrangement of the "four tones" (si sheng HS), which the Yong-ming ^RB/j movement of tonal euphony originally advocated, shifted into the arrangement of the "level and oblique tones" (ping ze ^K), which the regulated verse required. The second is how the places of tonal arrangement gradually came to be regularized as the second and the fourth characters of a line. The rest of this study provides my answer to these two problems.
    URI: http://thjcs.hss.nthu.edu.tw/catalogue_detail.php?id=148
    Appears in Collections:[01 清華學報] 新29卷第3期

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