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    National Tsing Hua University Institutional Repository > 清華出版品 > 01 清華學報 > 新30卷第3期 >  「腐臭爛」中的真善美─《伍倫全備》新議


    Please use this identifier to cite or link to this item: http://nthur.lib.nthu.edu.tw/dspace/handle/987654321/75583


    Title: 「腐臭爛」中的真善美─《伍倫全備》新議
    Other Titles: Wulun quanbei 伍倫全備: A New Appreciation
    Authors: 司徒秀英;Si Tou Sau Ieng
    Date: 2000/09
    Publisher: 國立清華大學出版社
    Relation: 清華學報,國立清華大學,2000,new,v.30,n.3,p297.
    Keywords: 真善美
    伍倫全備
    Abstract: ABSTRACT
    Qiu Jun's ti\yfn Wulun (|iianhei f/i.fiii) l^fdi'i was the first zhuanqi f^/tJf drama ever written by a high-ranking Ming scholar-official. Due to its heavy didacticism, it has never received any favorable critical attention. The play's thematic structure has a great deal to do with the philosophical underpinnings of Song-Ming Neo-Confucianism, which places a high premium on moral perfection and the realization of cheng M as a moral imperative. Wulum quanbei deserves our attention precisely because it has made effective use of the form of lyrical drama and the properties of the stage as an evangelic vehicle to promote these ethical absolutes. The present essay will discuss the moralistic aspects of Wulun (|uanbei along with its formal features.
    Key words: didactic drama, Ming xhuangi (f!J/i'i'), sangang-wuchang 'i'il'), cheng (,j$)
    Wulun quanbei
    JiH: A New Appreciation
    Si Tou Sau leng
    Lingnnn University
    ABSTRACT
    Qiu Jun's fj'lifrf Wulun c|iianbei f/ifitif "fcfjlif was the first zhuanqi fV/itf drama ever written by a high-ranking Ming scholar-official. Due to its heavy didacticism, it has never received any favorable critical attention. The play's thematic structure has a great deal to do with the philosophical underpinnings of Song-Ming Neo-Confucianism, which places a high premium on moral perfection and the realization of cheng M as a moral imperative. Wulum quanbei deserves our attention precisely because it has made effective use of the form of lyrical drama and the properties of the stage as an evangelic vehicle to promote these ethical absolutes. The present essay will discuss the moralistic aspects of Wulun quanbei along with its formal features.
    Key words: didactic drama, Ming xhuangi (f'J/itf), sangang-wuchang ('--.M:fi ',Y,'). cheng (,|MO
    URI: http://thjcs.hss.nthu.edu.tw/catalogue_detail.php?id=127
    http://thup.et.nthu.edu.tw/
    http://nthur.lib.nthu.edu.tw/dspace/handle/987654321/75583
    Appears in Collections:[01 清華學報] 新30卷第3期

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