English  |  正體中文  |  简体中文  |  Items with full text/Total items : 54367/62174 (87%)
Visitors : 13677373      Online Users : 19
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTHU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    National Tsing Hua University Institutional Repository > 清華出版品 > 01 清華學報 > 新31卷第1、2期 >  詩樂關係論與船山詩學架構:兼論傳統詩學與中國思想中超形上學


    Please use this identifier to cite or link to this item: http://nthur.lib.nthu.edu.tw/dspace/handle/987654321/75591


    Title: 詩樂關係論與船山詩學架構:兼論傳統詩學與中國思想中超形上學
    Other Titles: The Frame of Wang Fuzhi's Poetics Related to His View on the Relationship between the Music and Poetry: Chinese Lyricism and Trans-Metaphysics in Chinese Thought
    Authors: 蕭馳;Chi Xiao
    Date: 2001/03
    Publisher: 國立清華大學出版社
    Relation: 清華學報,國立清華大學,2001,new,v.31,n.1-2,p67.
    Keywords: , Trans-metaphysics, Shcng-qing, The Frame of Wang Fuzhi's Poetics
    已樂論詩
    「詩者
    Poetry swingirtg between shade and light"
    船山詩學架構。Discussing poetry in musical terms, "
    聲情
    超越形上學
    幽明之際者也」
    Abstract: Started with a Ming theoretical phenomenon of discussing poetry in terms of the music, this essay discusses Wang Fuzhi's view on the relation-ship between the music and poetry, the very frame of Wang's poetics. First, the essay demonstrates that, carrying on the Confucian tradition, Wang in interpreting Confucian classics apotheosizes the music for its paramount cosmological and ethical significance. In his writing referred to poetry and music, he also situates the music in the position superior to the poetry by the latter's invisibility and limitlessness. Yet, Wang's proposition, "Poetry is swinging between shade and light," also asserts that the music as the transcendent is never cut off from the more immanent one, the poetry, but could be embraced in the poetry. At the same time, the poetry could also stumbles across the superior by reaching the celestial realm. At this point, apart from offering a new way to see the relationship between the music and poetry, Wang actually reveals a tradition in Chinese art and literature, correspondent with the "trans-metaphysics" in Chinese philosophy, a tradition which advocates interflowing and interpenetration between the visible and the invisible, between the concrete and the abstract, and between the temporal and the spatial. From his point of view to treat the music as the paramount realm of poetry, in lyric criticism Wang pays high regard to sheng-qing, i.e., making phonologic effect of syllables emotionally expressive. Therefore, he believes that sound is prior to be considered between character and sound and the linguistic discourse in verse should be made in musical terms. By the same token, he thinks that phonological form of lyric language should lead meaning in verse while deliberately setting up a meaning for poetry should be denied. For Wang's frame of poetics, the importance of his view on relationship between the music and poetry is the realization of significant form itself. Furthermore, by treating music as the supremacy of poetry, Wang basically regards poetry as an art of time, an art which embodies the cosmic accord with its rhythm. However, by his concept that poetry is swinging between shade and light, between the visible and the invisible, Wang also, at the same time, can carry on and develop the lyric theory of "scene and feeling in poetry" that evolved in Song period, and thereby highlights the visible, spatial world in poetry. Yet, this visible world must embrace the perpetual dynamics, and in the spatial dimension and in synaesthetic sense, embodies the cosmic accord.
    URI: http://thjcs.hss.nthu.edu.tw/catalogue_detail.php?id=119
    http://thup.et.nthu.edu.tw/
    http://nthur.lib.nthu.edu.tw/dspace/handle/987654321/75591
    Appears in Collections:[01 清華學報] 新31卷第1、2期

    Files in This Item:

    File SizeFormat
    JA01_2001_p67.pdf1478KbAdobe PDF229View/Open


    在NTHUR中所有的資料項目都受到原著作權保護,僅提供學術研究及教育使用,敬請尊重著作權人之權益。若須利用於商業或營利,請先取得著作權人授權。
    若發現本網站收錄之內容有侵害著作權人權益之情事,請權利人通知本網站管理者(smluo@lib.nthu.edu.tw),管理者將立即採取移除該內容等補救措施。

    SFX Query

    與系統管理員聯絡

    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback