National Tsing Hua University Institutional Repository:詩樂關係論與船山詩學架構:兼論傳統詩學與中國思想中超形上學
English  |  正體中文  |  简体中文  |  全文筆數/總筆數 : 54367/62174 (87%)
造訪人次 : 14423053      線上人數 : 53
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTHU Library IR team.
搜尋範圍 查詢小技巧:
  • 您可在西文檢索詞彙前後加上"雙引號",以獲取較精準的檢索結果
  • 若欲以作者姓名搜尋,建議至進階搜尋限定作者欄位,可獲得較完整資料
  • 進階搜尋
    National Tsing Hua University Institutional Repository > 清華出版品 > 01 清華學報 > 新31卷第1、2期 >  詩樂關係論與船山詩學架構:兼論傳統詩學與中國思想中超形上學


    請使用永久網址來引用或連結此文件: http://nthur.lib.nthu.edu.tw/dspace/handle/987654321/75591


    題名: 詩樂關係論與船山詩學架構:兼論傳統詩學與中國思想中超形上學
    其他題名: The Frame of Wang Fuzhi's Poetics Related to His View on the Relationship between the Music and Poetry: Chinese Lyricism and Trans-Metaphysics in Chinese Thought
    作者: 蕭馳;Chi Xiao
    日期: 2001/03
    出版者: 國立清華大學出版社
    關聯: 清華學報,國立清華大學,2001,new,v.31,n.1-2,p67.
    關鍵詞: , Trans-metaphysics, Shcng-qing, The Frame of Wang Fuzhi's Poetics
    已樂論詩
    「詩者
    Poetry swingirtg between shade and light"
    船山詩學架構。Discussing poetry in musical terms, "
    聲情
    超越形上學
    幽明之際者也」
    摘要: Started with a Ming theoretical phenomenon of discussing poetry in terms of the music, this essay discusses Wang Fuzhi's view on the relation-ship between the music and poetry, the very frame of Wang's poetics. First, the essay demonstrates that, carrying on the Confucian tradition, Wang in interpreting Confucian classics apotheosizes the music for its paramount cosmological and ethical significance. In his writing referred to poetry and music, he also situates the music in the position superior to the poetry by the latter's invisibility and limitlessness. Yet, Wang's proposition, "Poetry is swinging between shade and light," also asserts that the music as the transcendent is never cut off from the more immanent one, the poetry, but could be embraced in the poetry. At the same time, the poetry could also stumbles across the superior by reaching the celestial realm. At this point, apart from offering a new way to see the relationship between the music and poetry, Wang actually reveals a tradition in Chinese art and literature, correspondent with the "trans-metaphysics" in Chinese philosophy, a tradition which advocates interflowing and interpenetration between the visible and the invisible, between the concrete and the abstract, and between the temporal and the spatial. From his point of view to treat the music as the paramount realm of poetry, in lyric criticism Wang pays high regard to sheng-qing, i.e., making phonologic effect of syllables emotionally expressive. Therefore, he believes that sound is prior to be considered between character and sound and the linguistic discourse in verse should be made in musical terms. By the same token, he thinks that phonological form of lyric language should lead meaning in verse while deliberately setting up a meaning for poetry should be denied. For Wang's frame of poetics, the importance of his view on relationship between the music and poetry is the realization of significant form itself. Furthermore, by treating music as the supremacy of poetry, Wang basically regards poetry as an art of time, an art which embodies the cosmic accord with its rhythm. However, by his concept that poetry is swinging between shade and light, between the visible and the invisible, Wang also, at the same time, can carry on and develop the lyric theory of "scene and feeling in poetry" that evolved in Song period, and thereby highlights the visible, spatial world in poetry. Yet, this visible world must embrace the perpetual dynamics, and in the spatial dimension and in synaesthetic sense, embodies the cosmic accord.
    URI: http://thjcs.hss.nthu.edu.tw/catalogue_detail.php?id=119
    http://thup.et.nthu.edu.tw/
    http://nthur.lib.nthu.edu.tw/dspace/handle/987654321/75591
    顯示於類別:[01 清華學報] 新31卷第1、2期

    文件中的檔案:

    檔案 大小格式瀏覽次數
    JA01_2001_p67.pdf1478KbAdobe PDF257檢視/開啟


    在NTHUR中所有的資料項目都受到原著作權保護,僅提供學術研究及教育使用,敬請尊重著作權人之權益。若須利用於商業或營利,請先取得著作權人授權。
    若發現本網站收錄之內容有侵害著作權人權益之情事,請權利人通知本網站管理者(smluo@lib.nthu.edu.tw),管理者將立即採取移除該內容等補救措施。

    SFX Query

    與系統管理員聯絡

    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - 回饋